I Am Martin Parr
Martin Parr is a name that needs little introduction in the photography world. Renowned for his sharp, often humorous, and sometimes uncomfortably honest observations of modern life, Parr has spent decades documenting British society and beyond. His use of bold colours, close-ups, and a distinct sense of irony makes his work instantly recognisable. While best known for his later colour photography, his early black-and-white images already displayed the same keen eye for the quirks of everyday life that would define his career.
On a sunny Sunday afternoon, I headed to Russell Square to watch I Am Martin Parr at the Brunswick Centre. The documentary is both an inspiring and insightful experience, providing a rare glimpse into Parr’s thought process, giving us a peek on how he sees and interacts with the world. What struck me the most was how naturally he finds subjects and scenes. He doesn’t just photograph people, he captures behaviours, social habits, and the often-overlooked absurdities of daily life.
One of the highlights for me was seeing his early black-and-white work. Before his signature bright and exaggerated colours, Parr was already deeply engaged in documenting society. Even without the saturated hues, his images conveyed the same sense of storytelling and every frame felt intentional, revealing a subtle commentary on the people and places he captured. It was interesting to see how his early style evolved into what we now recognise as his defining aesthetic.
Another aspect that stood out was his attention to details. The way he isolates elements whether it’s a half-eaten plate of food, a tourist’s odd hat, or an out-of-place object; elevating things that would easily go under the radar into something worth observing. It’s a reminder that street photography isn’t just about people but also about the world around them. His work encourages a way of seeing that goes beyond the obvious, something I find incredibly valuable as a photographer.
Beyond his own photography, the Martin Parr Foundation plays a crucial role in supporting and preserving documentary photography. The foundation, based in Bristol, houses an extensive archive of Parr’s work and also champions the work of emerging and established photographers. It serves as an important resource for those interested in documentary photography, offering exhibitions, talks, and workshops that continue to inspire new generations of photographers. This commitment to the craft and its future is another reason why Parr’s influence extends far beyond his own images.
The documentary only reaffirms why Martin Parr’s work remains so influential. His approach challenges the idea of what makes a compelling image, proving that humour, critique, and visual storytelling can coexist effortlessly. As I reflect on my own photography, I feel inspired to look for the subtleties in human behaviour, and to not shy away from capturing the imperfect, the awkward, and the brilliantly ordinary moments of life.
